I talked about this before, but I feel like understudies keep on being under appreciated. Without them, so many shows would be cancelled. You have to know how to truly respect them and what they are able to bring to their roles. From the years 2014-2017, I have had a lot of understudies and throughout those years, I have truly learned to really respect them. Without them, you know how much trouble theatre would be? They would be in a lot of a lot. Below I will put a list of mine and if I remember anything about them, I will talk about them.
1. Grace Morgan (Christine)- I don’t fully remember her when I saw Phantom of the Opera. However, I remember getting choked up by this cast. I remember being drawn to Christine so I bet she was really good as Christine.
2. Lisa Karlin (Leading Player)- This was my first time seeing Pippin. She was the true standout in this production. Everything I know about the Leading Player was based off of her portrayal. She was able to hide her evilness around Pippin to make it seem like she was someone he can trust and to do that she was very playful around him. She was quite crafty and in “Magic to Do”, I detected a small hint of evil, and then in “Glory”, she was much more dark and evil. Everything I know about this character is Lisa Karlin. Just by one actress, I know so much about one actress: that is impressive.
3. Sam Lips- due to being so intrigued by Lisa Karlin, I don’t remember a clue about Sam.
4. Adam Bayjou- I literally was in the West End, and I was thinking “wait a minute, I am in the West End about to live my dream and I have a understudy for Jean Valjean”. I was a little bit nervous. Here is how I can say how brilliant he was: I forgot I was watching an understudy: think about that: if you forgot you watched an understudy, that is real talent right there. Below is a picture of me with Adam at Stage Door.
5. Mary Kate Morrissey- When I have an understudy for Elphaba, it can be kind of scary for me because Elphaba is my all-time favorite musical character. She was actually the standby for Elphaba. Mary Kate embodied everything about Elphaba while bringing something new to the character. She made me appreciate a song I always hated, a song that always seemed emotionless to me: “No Good Deed”. She changed her voice to fit the character: act I: her voice was so much more innocent, but in act II, she changed it to be mature.
6. Kaitlyn Frank- I did basically forget about her version of Katherine Plumber. I got so into Joey Barreiro as Jack that I did forget about the other acting. I also got mind-blown with the talent into the dancing. However, I recently saw my original Newsies review and it did say she had incredible chemistry with Joey.
7. Talia Simone Robinson- this was a bit of a coincidence. How is it that my 2nd professional cast of Les Mis did I end up with an understudy? I thought that was the craziest thing, but this time instead of Jean Valjean, my understudy was Eponine. Talia wasn’t the strongest actor in the love triangle: it was Marius instead. However Talia had extremely strong moments as Eponine. She did not start out that strong as Eponine, but she eventually was able to embody the role. She was flirty and playful around Marius. As I recall, I think I heard some tears at the end of “On My Own” and during that song, I got some goosebumps. Than during “A Little Fall of Rain”, each time she tried to move, she barely could showing that she was weak and just getting weaker indicting that she was dying.
So RESPECT the understudies. They have much more talent than you realize. They are able to embody the roles more than you think. Look at all of these understudies. When I saw Lisa, I didn’t even know who the Leading Player was, and Lisa was able to get me so intrigued by that actor and usually the first time I discover the antagonist, that usually that doesn’t happen. Then at Mary Kate, she made me appreciate I song I always hated for once. I was able to respect what Talia was able to bring to Eponine even though she didn’t start out that strong; she eventually was able to embody the role. It is not easy to be an understudy: they have to work harder than anybody. You have to be aware how many productions would be canceled if they didn’t exist. Just appreciate them much more.