Broadway Night

Last night was the 2nd night at the Pops. This time, my family and friends were treated to Broadway songs. When it comes to Broadway, it is a Pops I don’t want to miss. I ended up wearing the Les Mis shirt I got in the West End to this symphony. I was wondering what musicals they were going to do.

First up- Sound of Music, a childhood favorite. They played all of the songs I thought they would. It included two from the stage show, which never made it to the movie. The songs included “Sound of Music”, “Climb Every Mountain”, “So Long Farewell”, “Edelweiss”, “My Favorite Things”, “Do Re Mi”, “Lonely Goatherd”, “Maria”, “Sixteen Going on Seventeen”, and “How Can Love Survive”.

Second up- My Fair Lady, a musical that entered my life in college. The symphony played a good collection of those songs. From “I Could Have Danced all Night”, “Wouldn’t it be Loverly”= among others. I still don’t know the names of the songs well enough to be able to recognize songs without the lyrics.

Third up- Grease. It played “Hand Jive”, “Summer Nights”, “Greased Lightening”, “Beauty School Dropout”, and “We Go Together”.

Fourth up- Carousel. All they played from this musical is the “Carousel Waltz”.

Fifth up- Les Mis. The symphony started with the overture. “At the End of the Day”, “I Dreamed a Dream”, “Master of the House”, “On My Own”, and “Do You Hear the People Sing” were the only songs they did. Even with just the melody, I still cried.

Sixth up- Oklahoma. “Oklahoma”, “I Cain’t Say No”, “Farmer and the Cowman”, “Surrey with Fringe on Top”, “Kansas City”= among others. Just like My Fair Lady-still barley know names of songs and even the melodies themselves to pick up on songs.

Seventh up-Wicked. “No one Mourns the Wicked”, “Popular”, and “Defying Gravity” were the songs the symphony used.

Eighth up- Music Man. The very last song was “76 Trombones”.

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What exactly Makes me Love a Song in a Musical?

For any musical, the first step to loving it belongs to the songs. What exactly do I mean by that? The songs do not necessarily need to be singable. They need to be memorable. The songs do need to sound like they all belong in the same musical. It is very very very very very very difficult to explain what makes me love a song period. You do need to remember a song leaving the theatre- yes, but not necessarily singable. I used to think there ALWAYS needed to be a showtune song- a song like “Seize the Day” or “Do Re Mi”- but I learned that is not always the case. The song has to be a song you know you will keep on going back to- as in a song you want to listen to again and again and again without getting sick and tired of it- that is what I mean by memorable. Not all of the musical theatre songs I love are singable.

Examples of songs I love:

  1. Seize the Day
  2. On My Own
  3. Beauty and the Beast
  4. Phantom of the Opera
  5. Seventy Six Trombones
  6. Corner of the Sky
  7. Some Enchanted Evening
  8. Tomorrow
  9. Endless Night
  10. The Impossible Dream
  11. Seasons of Love
  12. Edelweiss
  13. Somewhere
  14. Popular

As you can tell, this is a wide variety of songs. From the exciting songs to the heartbreaking songs to the love songs. Not all of these songs are showtunes. I picked one song from different musicals I either like or love or happen to be musicals that are in between like and love. You can just tell whether or not you love a musical song. In order to love a musical, you have to love the songs- then there is no way to get into the characters and plot that well.

Quality Versus Quantity- What makes a Musical Year better

We heard the concept of quality and the concept of quantity. Quantity is how many things we do and quality is the meaning. However, what is stronger- quality is stronger. What is stronger for a musical theatre year? Quality or Quantity. I will use 2018 and 2015 to explain.

I am in 2018, and it was the year I graduated from college. My mom did tell me I was seeing Lion King. Lion King so far was going to be the only musical I would be in 2018. Little did I know, the number of musicals I would see this year.

For whatever reason, I decided to look up the musicals for Central Piedmont Community College, the place where I started my college journey. I ended up seeing three musicals there: Oklahoma, Grease, and Newsies. I knew how well-done CPCC can do their shows. Oklahoma was my 5th date with mom, Grease was a date with my sister and one of our friends, and Newsies was a date with one of my best friends. Below are reviews for those three musicals.

https://megsdailymusings.wordpress.com/2018/06/07/oklahoma-review/

https://megsdailymusings.wordpress.com/2018/06/18/summer-nights/

https://megsdailymusings.wordpress.com/2018/07/22/newsies-surprise/

Newsies at Central Piedmont Community College at Halton Theatre

Yes, I already saw three community college shows, but I felt like I was about to see my 4th professional show. Lion King was my first show with Blumenthal. It was a girl’s night out. I saw it with my mom and sister. Our seats were perfect- at the orchestra in the aisle. Review below. So, loved all four shows. I thought Lion King was the last musical of 2018- it was the only musical I wanted to see with Blumenthal in 2018. No musical in the 2018-2019 that came in 2018 was something I actually wanted to see.

Lion King at Belk Theatre in Blumenthal Performing Arts Center
Lion King at Belk Theatre

https://megsdailymusings.wordpress.com/2018/09/06/circle-of-life-lion-king/

Boy, I was wrong. Lion King wouldn’t be the last musical. I would see a 5th musical. One of the musicals I knew was coming was A Christmas Story. I went to the informance of it with Club Blume. The moment I learned that the same guys who wrote this musical also wrote The Greatest Showman, a musical I love, I decided I will watch A Christmas Story. I actually liked A Christmas Story- it was a funny and amazing start to the Holidays, and I cannot believe that dogs on stage can make you laugh.

A Christmas Story at Ovens Auditorium with Blumenthal Performing Arts
A Christmas Story at Ovens Auditorium

https://megsdailymusings.wordpress.com/2018/12/07/a-christmas-story-the-musical-review/

Yes, 2018 was the record hold of musicals- 5 musicals was the record of musicals, but did that make 2018 the best year of musicals? Let me take you to 2015, which had only one less musical.

2015:

Music Man- This musical started the year of musicals. It was the most light-hearted of all four of them. It was one of the inexperienced of them. I knew some songs and knew a bit of the plot. I watched it at Dover Theatre at Gardner Webb University. This was the semester I transferred to GWU- Spring 2015. I knew I was seeing Music Man that year. Well- I fell in love with Music Man by a college production. Little did I know, how much I would love that year of musicals or how many musicals I would see that year.

Pippin- This show was the main musical I wanted to see with Blumenthal during their 2014-2015 season. There seemed to be no sign of seeing Pippin. This show was more inexperienced than Music Man- I only knew one song- all I knew about the plot was coming from “Corner of the Sky”. I saw a preview- that was how I knew it was going to filled with spectacle. Well, one week before Pippin, my mom decided to buy tickets for Pippin- there was only one day left with seats together. So Pippin ALMOST didn’t happen. Pippin was actually darker than Music Man- I could tell from the first number. By intermission, I already wanted the album, and that is saying something because how do you already know you will love the other songs? Pippin was the FINAL inexperienced musical.

Pippin at Belk Theatre in Blumenthal Performing Arts Center
Pippin at Belk Theatre

Les Mis- I actually knew I was going to see in the West End. The question was WHAT MUSICAL? I first found that I was seeing a musical in the West End December 2014- right away I wanted to know what musical. All Spring 2015, I wanted to know what musical. It needed to be Les Mis- it was my dream to see Les Mis in the West End. June 2015- my mom texted me French Flag Emojis and Musical Note Emojis, and that didn’t make sense, and then I was told to check my email. The moment I saw Les Misérables on my email, I ran up to my mom crying. I couldn’t believe it- I was seeing Les Mis in The West End. I still had to wait a month- after all, my family wasn’t leaving the US until July 28th- Les Mis was happening July 30th.

July 30th- when I saw The Queen’s Theatre, I thought I was pretending. Nothing felt real. Even buying the souvenirs- t-shirt, poster, playbill (that was a culture shock-buying it). Sitting down- noticing how close we were, and looking at the set. Nothing felt real- I thought I was dreaming. Then I heard it- the first note or maybe notes of the orchestra- then it hit me- I was living the dream. How is it that just hearing a few notes tell you that it is going to be more than expected? I ended up having an understudy as Jean Valjean. I was right- it was more than expected. I ended up crying sooner than I thought- I thought that reaction would begin at “I Dreamed a Dream”- it started after Valjean was released. It was like winning a lottery- seeing Les Mis in London.

Queen's Theatre in the West End- July 30th, 2015
“I Dreamed a Dream”

After Les Mis, I thought Les Mis was the FINAL musical. It wasn’t the FINAL musical. I would end in my childhood. How do you end in your childhood? That means ending in a childhood musical? Sound of Music was my final musical. I felt like a child watching a musical- that is something that non-childhood musicals can never achieve. Les Mis did make me a emotional wreck- but it wasn’t the only musical that made me cry. Sound of Music did that to me as well. It was during Edelweiss, my favorite song of the musical. Ben Davis, my Captain Von Trapp, took a slight pause (which was between the time he stopped singing and when the children joined in). His nonverbal allowed sadness to enter the picture- I started crying- I was like- that emotion was never in the musical. I think it was a combo of nostalgia, the nonverbal, and the nature of the song itself.

Sound of Music at the Belk Theatre in at the Blumenthal Performing Arts Center
Sound of Music at the Belk Theatre

What year do you think was better- 2018 or 2015? You might think it was 2018 because it had more musicals- quantity, but what what about 2015 where it had more quality, but a little less quantity. I will say my answer-

It was 2015-it wasn’t because it had LESS musicals than 2018. It is because it had MORE quality than 2018. I loved all four musicals- for one thing, the first two musicals were two new musicals that I fell in love with. I found it interesting that they were the first two since they were the most inexperienced. Then you get to the last two musicals- they had the most experience- only one of those I never saw live. Where is the MORE quality of 2015? It comes from Les Mis- I wasn’t seeing Les Mis at community college like 2013 or on tour like 2017. I saw it in the West End- that was my DREAM-that is like seeing more than one musical or winning the lottery.

Act I Closers

The ending of the first act in a musical is important. By that point, you usually know whether or not you love a musical. The emotion of the first act I closer does vary- some are heartbreaking, some are sad (but not heartbreaking), some are exciting, and some are empowering- it varies. Here are examples of act I closers:

Defying Gravity

One Day More

Hankua Matata

Climb Every Mountain

Santa Fe

If I Can’t Love Her

Wells Fargo Wagon

La Vie Bohéme

Let it Go

Morning Glow

I’d Give My Life For You

Crashing of the Chandelier

  • As you can tell, these act I closers do vary. You have songs that are either sad or heartbreaking like “Santa Fe”, “If I Can’t Love Her”, and “I’d Give My Life For You”. The empowering act I closers are songs such as “Let it Go”, “One Day More”, and “Defying Gravity”- those can also fit under exciting songs- which is where “Wells Fargo Wagon” and “La Vie Bohéme” fit under. So act I closers vary from musical to musical. Some musicals don’t have a song at all- such as Phantom of the Opera, which ends at the crashing of the chandelier. By the end of act I, you already know which characters and storylines you are are emotionally connected to. The act I ending is important- it is just as important as the finale of the musical.

Favorite Musicals and Favorite Songs

All musical theatre fans have their favorite musicals. In each musical, there is usually a song that becomes their favorite. I decided to write a list of some of my favorite musicals and what my favorite song is.

  1. Wicked- Popular
  2. Les Mis- (Do I have to say more); this is an exception where I can’t pick
  3. Sound of Music- Edelweiss
  4. Phantom of the Opera- either Music of the Night or All I Ask of You
  5. Annie- Tomorrow
  6. Newsies- Seize the Day
  7. Beauty and the Beast- Beauty and the Beast
  8. Lion King- Can You Feel the Love Tonight
  9. Rent- Seasons of Love
  10. Music Man- Seventy Six Trombones
  11. South Pacific- Some Enchanted Evening
  12. Pippin- Corner of the Sky
  13. Mamma Mia- Dancing Queen
  14. Man of La Mancha- Impossible Dream
  15. Godspell- We Beseech Thee


Music Man Movie Review

Watching this movie two days ago reminded me of when I first saw Music Man. In March of 2015, at Gardner Webb University, I saw the stage show of Music Man. One of the biggest things I love about the musical is how happy and light-hearted it is. You need musicals like Music Man to help balance out the more emotional musicals. It would be interesting to see how different the movie would be.

The opening song was sung on a train. It seemed to be sung in the rhythm of the train. When it speed up, the salesmen speed up, and when the train slowly came to a stop, they slowed down- I don’t think I actually remembered that from the stage show- the nature of the opening number.

“Ya Got Trouble” was not different either. Soon enough, I saw differences between the songs. Harold Hill was singing “Gray, Indiana”, and in the stage show, that is sung by Winthrop, one of my favorite characters from the musical. Winthrop does get “Gray, Indiana”, but as a reprise. I did think that “Sadder, but Wiser Girl” Harold sang to someone other than Marcellous, but after the movie, I went into my playbill, and the movie was right, he does sing it to that character.

That song is also in act II, which means after “Wells Fargo, Wagon”. Marian had a new number, and that is where part of “My White Knight” was- that was confusing. I am used to “My White Knight” being a separate song. In the movie, on the bridge, “Till There Was You”, was a solo, which is supposed to be a duet- why would a movie turn a duet into a solo- Harlod sings his part of “Till There Was You” as a reprise.

Those kind of changes did confuse me- after all, I am coming from the stage show, and I do own the soundtrack. Now, about the actors.

The actor who played Harold Hill did act like a conman. I didn’t see the con-side at first. Soon enough I did. He was able to get away quickly when people were asking for his credentials by making those four men sing as a group. I saw two very talented Harold Hill’s. (Yes, I am talking about a university Harold Hill and a movie Harold Hill). It is the conman side to Harold Hill I want to see the most. He also showed the conman side when it comes to Marian before and during “Marian the Liberian”. It was his love for her that made him a better person.

The actor who played Marian showed that she had no interest in Harold Hill. She also showed that she saw his faults (as in she knew he was a conman) in the beginning. I don’t know when Marian realized she loved him, but it was her love for him that made her protect him. That is why she tore that page out of that book, and tried to convince him to leave when the entire town was searching for him.

As for the quartet, their voices blended perfectly. As for the ensemble in this number, loved them. I loved how they created River City. Seeing it brought back memories of when I fell in love with Music Man- it has been four years. I still love Harold Hill and Marian as a couple. I still love Winthrop. Seventy Six Trombones is still my favorite song in Music Man.

Survivors I Love in Musicals

Yesterday, my question was who was my favorite survivor in Les Mis. I realized that I actually loved more survivors than non-survivors. I also knew about more characters who lived than died in musicals.

  1. Elphaba
  2. Glinda
  3. Fiyero
  4. Jack Kelly
  5. Crutchie
  6. Davey
  7. Newsies
  8. Katherine Plumber
  9. Marius
  10. Cosette
  11. Maria (Sound of Music)
  12. Von Trapp Children
  13. Simba
  14. Nala
  15. Zazu
  16. Rafiki
  17. Raoul
  18. Christine
  19. Annie
  20. Orphans
  21. Belle
  22. Beast
  23. Lumiere
  24. Cogsworth
  25. Mrs. Potts
  26. Chip
  27. Pippin
  28. Harold Hill
  29. Winthrop
  30. Elsa
  31. Anna
  32. Sancho Panza
  33. Chris

This is a list of more than 33 characters. After all, the Newsies take up the majority of the cast, the Von Trapp children are 7 characters, and the same applies to the Annie orphans in Annie (at least five characters).