All musical theatre fans have their favorite musicals. In each musical, there is usually a song that becomes their favorite. I decided to write a list of some of my favorite musicals and what my favorite song is.
Les Mis- (Do I have to say more); this is an exception where I can’t pick
Sound of Music- Edelweiss
Phantom of the Opera- either Music of the Night or All I Ask of You
Yesterday, my question was who was my favorite survivor in Les Mis. I realized that I actually loved more survivors than non-survivors. I also knew about more characters who lived than died in musicals.
Maria (Sound of Music)
Von Trapp Children
This is a list of more than 33 characters. After all, the Newsies take up the majority of the cast, the Von Trapp children are 7 characters, and the same applies to the Annie orphans in Annie (at least five characters).
It is February, and I think it is appropriate to talk about the most common theme in musical theatre. Most likely when you see a musical, you will see romance: either you just see a couple or you come across a love triangle. It is not just love triangles that are complex- even a couple alone is complex. It is their love song that makes you realize they have fallen in love- but that is not always the case. MAJOR OR MINOR SPOILERS.
I feel like there is something quite magical about Disney couples. Songs like “Something to Believe In”, “A Whole New World”, “Beauty and the Beast”, and “Can You Feel the Love Tonight” have something special about them. I love all of the couples associated with them. These couples belong to Katherine and Jack, Jasmine and Aladdin, Belle and Beast, and Nala and Simba. If you think about it, Belle and Beast are home to a love triangle- after all, Gaston wants to marry Belle for the entire musical. Belle and Beast is a couple that falls in love over time- first Belle despises Beast- then they develop feelings for each other during “Something There”- and then you finally have “Beauty and the Beast”. There is a heartbreaking song in the midst of all of this- “If I Can’t Love Her” in this stage show- or its “Evermore” if you watch the 2017 movie.
Love Triangles (Les Mis, Phantom, Wicked)
Les Mis: Cosette x Marius x Eponine
The couple is Cosette and Marius and the unrequited love belongs to Eponine. Cosette and Eponine have literally switched places in life- Cosette had a horrible childhood while Eponine had a better childhood- then Eponine’s life gets even worse, and Cosette’s life improves when Valjean rescues her from the Thenardiers, who are Eponine’s parents. When Cosette leaves, Eponine is mistreated by her parents, and is raised to be a thief and criminal. When Marius enters her life, he treats her with kindness- that is why she fell in love with him- the sad truth is he is the only person who treats her with kindness- as a matter of fact, he is the only good thing in her life.
Then the love triangle happens- Marius bumps into Cosette, and the two of them automatically fell in love with each other. Eponine notices that they both love each other. She will do anything for Marius- she does end up finding Cosette for him. She risks her life several times for Marius. She ends up protecting Marius from her father when he was about to rob Valjean’s house (Marius was there at the time). This was why she went to the barricade, and why she sacrificed her life for him. I love how in this love triangle, you end up feeling for all three of them at once- first when Marius and Cosette bump into each other and second at “Heart Full of Love”- it starts out as a duet- then when Eponine joins in- you get so confused- you end up feeling heartbroken for Eponine, but incredible for Marius and Cosette- that is why you are confused. Marius and Cosette are such an adorable couple- those are my favorite survivors of Les Mis- Marius in particular.
Phantom of the Opera: Raoul x Christine x Phantom
Unlike Les Mis, the entire story is a love triangle. Raoul and Christine are the couple while Phantom gets the unrequited love. Raoul and Christine are an adorable couple. Raoul would do anything to protect Christine from the Phantom. Phantom does not accept, cope, or deal with his unrequited love well. His response is extremely negative- he responds in anger and revenge- he plans to murder Raoul- at the end of the show- he makes Christine choose between choosing him or killing Raoul (not the best response).
Wicked: Elphaba x Fiyero x Glinda
Wicked is the most complex out of all three of these love triangles. In act I, Glinda and Fiyero are a couple while Elphaba is dealing with unrequited love. She does not pursue Fiyero because of her best friend. In act II, the unrequited love jumps to Glinda- now Elphaba and Fiyero are a couple- that becomes the final result. So this love triangle has a plot twist- the other two love triangles has only one character dealing with unrequited love- Wicked on the other hand has two characters- both Elphaba and Glinda do not pursue Fiyero to keep their friendship alive. They do not let a boy get in the way of their friendship. I believe it shows their loyalty towards each other and helps strengthen their friendship. What I love about this love triangle is that it develops in the same way the characters do- it does not truly mature until the characters do. Wicked’s love triangle is my FAVORITE love triangle.
Elphaba wasn’t planning on falling in love with Fiyero. She could not stand Fiyero at first. He was a jerk at first- his overall arc is one of the things I love watching. He went from this jerk to softening up to becoming this mature and courageous young man. Elphaba truly matured during “Defying Gravity”. See what I mean- the love triangle did not truly mature until the characters did.
Why does the plot twist happen- I never knew why the first three times I saw the musical. I decided to get some answers the 4th time. I believe Fiyero had a crush on Elphaba at Shiz in act I, but deep down didn’t realize it. I believe he realized he was in love with Elphaba at the beginning of act II. He decided to have a stronger chemistry with Elphaba and a weaker chemistry with Glinda in the first act foreshadowing the plot twist. This was all based off of Ashley Parker Angel’s portrayal I saw the 4th time. At least- some things are clearer this time around.
Mimi and Roger
Mimi and Roger is one of the couples that is NOT part of a love triangle that is complex. So you see, there couples that are complex that don’t need to be a love triangle. Mimi and Roger are one of those couples. Mimi and Roger are my favorite Rent couple, and I still struggle to understand that. They have have HIV, and have other struggles. They find an attachment in “Light My Candle”- BUT Roger is unwilling to be in a relationship because of some complications that happened in his most recent relationship. It is during “I Should Tell You” is finally when Roger commits to a relationship. They are a couple who fights at times, but still love each other. Mimi and Roger are the main couple in Rent. I find them to be a realistic couple.
Maureen and Joanne
This couple is the most problematic relationship in Rent. They fight the most. Joanne always gets so annoyed with Maureen. They are a Lesbian couple- that is something that is unique about this couple. Maureen is very crazy- it is very easy to notice it about her.
Collins and Angel
Just like Mimi and Roger, they have HIV. They are a gay couple as well. They make the most out of their relationship, which is especially clear during “I’ll Cover You”. They never have problems- unlike the other two couples. Knowing about their situation (with the HIV)- they live everyday as if its their last.
Harold Hill and Marian
What I love about this couple being in Music Man is that it gives this musical an emotional feel. After all, it is a very light-hearted musical. So the main emotional feel belongs to the romance. Marian helps protect Harold Hill from being caught when she finds out he is a conman. I don’t think she was planning on falling with him.
If I go on talking about Romance in musicals- it would go on forever. Most of the characters who fell in love are young- as in their 20s and teens. Romance is a combo of innocence, magic, vulnerability, and fragility. The emotions vary as well- love, joy, heartbreak, sad, anger, and revenge- wonder why the negative emotions take up most of them in terms of the ones I can name. Romance does not have to take up JUST the couples- it also has to do with tragic love stories, unrequited love, and breakups.
One of the most frustrating questions I am asked as a musical theatre fanatic is if I prefer classical musicals over contemporary or vice versa- what happens if you are both. I decided to talk about the question here. I will talk about a number of the musicals I love and the ones I am interested in seeing.
These are musicals people tend to think of that come before the 21st century. I will talk about the ones that I love that come before then.
I love Music Man for how light-hearted and happy it is. I love its song and plot.
Sound of Music
This was and still is a childhood meaningful musical. The songs are fun and very easy to sing along to. Its plot is very easy to fall in love with. Sound of Music is very easy to fall in love with.
One of the things that drew me to South Pacific is the fact that it is a Rodgers and Hammerstein musical. Its songs are both fun and emotional. This musical is a romance, and like any Rodgers and Hammerstein musical, it focuses on two couples- one of which is more light-hearted and the other of which more serious.
Singing in the Rain
I love Singing in the Rain for some of the same reasons why I love Music Man. It has the light-hearted and fun nature. You want musicals like that to help balance out musicals out.
This is another musical I quite enjoy. It has a collection of fun and emotional songs. I love it when songs in musicals (like South Pacific) are home to positive and negative emotions. Incredible plot- after all, this is based off Dickens’ Oliver Twist.
Fiddler on the Roof
Like all of these musicals, I love the songs in Fiddler on the Roof.
This musical, like Sound of Music, is a meaningful childhood musical. I have always related to Annie. I think that is why I always loved Annie. Its catchy songs, and its incredible plot are reasons why I love Annie so much.
There are several reasons why I love Les Mis. I love how powerful, epic, powerful, and highly emotional it is. I love how so intricate its plot- literally if one thing is out, the entire plot is ruined. The characters are so interconnected that they directly and indirectly impact each others’ lives. Usually in a musical- I know my favorite song, but in Les Mis- there is no way I can pick. Les Mis is the reason why I am passionate about musicals. Les Mis always makes me an emotional wreck- either by songs alone, the film, or the stage show. It disproved many things I thought a musical was growing up.
Phantom of the Opera
I love the spellbinding and mysterious nature of Phantom of the Opera. Its’ love triangle is dark, suspenseful, angelic, and beautiful. This musical is hauntingly beautiful in so many ways. I was spellbound and choked up when I saw it.
Beauty and the Beast
It is quite an enchanting and magical musical. Its characters are extremely memorable- from Belle to Beast to the enchanted objects. Its songs are extremely energetic, but at the same time there are the more emotional songs at times.
I love how the animals are created in Lion King. Also love the energetic and emotional nature of the songs in this musical. It has such a memorable plot.
Now we are in the more contemporary musicals. It sounds like I love a number of classical musicals- there are other classical musical I love (just gives you an idea). Now we are into the musicals of the 21st century
Just like Music Man and Singing in the Rain, it has the overall light-hearted nature. I love how fun the numbers are- that is the main reason why I love Mamma Mia.
Of all the contemporary musicals, Wicked is my favorite. Wicked was responsible for sparking my love for musicals. I love that the two protagonists in Wicked are two strong females. The story is about Elphaba (AKA The Wicked Witch of the West) and Glinda’s relationship. Everything- from songs, to costumes (everything) feels OZian. Wicked was the reason why I knew what an emotional connection was; what it meant for a musical theatre character and plot to be complex; and where I learned the emotional side of musicals. Elphaba is my all-time favorite musical character. Wicked is home to my favorite musical theatre love triangle. The only characters I emotionally connected to in Wicked are Elphaba, Fiyero, and Glinda.
Newsies is one of the newest musicals of my life. I love the bond all of them share especially the intimate one found between Jack Kelly and Crutchie. I love seeing characters who stand up for what they believe in. The dancing I saw in Newsies was mind-blowing. The songs are energetic and emotional.
While I still haven’t seen the stage show, I still love the musical. It all started with the film- I fell in love with the movie; the plot, the characters (except for some- the bad guys are the ones I did not like), and the songs from the film. When I first heard it was coming to stage, I was excited. I eventually began to listen to some of the new songs, and I fell in love with the new songs I listened to. I believe the stage show will be more emotional, which will mean it will be stronger and more believable, than the movie. I recently heard that Fall 2019, a US Tour be launched- cannot wait- hopefully in Charlotte’s 2019-2020: Frozen will be part of it.
Other Contemporary Musicals I Want to See
Anastasia- got interested after hearing some songs in 2018
Something Rotten- got interested after some songs as well (don’t remember what year
So, about am I a classical musical theatre fan or about a contemporary musical fan? I believe I am both. I know, I have seen more musicals that are pre-21st century. The musicals I see has to do with what musicals are on tour- and which ones I choose to see during the season. I am both- just doesn’t seem that way.
I decided to talk about the years where I saw over three musicals- those years belonged to 2014, 2015, and 2018.
2014– this year is strange. It does not feel like I saw over two musicals. This was the year I saw Phantom of the Opera, Porgy and Bess, Scrooge, and Annie. This year for some reason only feels like I saw only two musicals- but it was a year of four musicals.
Phantom of the Opera- I fell in love with Phantom of the Opera in 2013 when my mom recommended it to me. I requested the songs on Pandora, and instantly fell in love with songs. The songs were why I wanted to see the stage show in the first place. Hearing the show was going to the Peace Center in Greenville (I did not wait for it to come to Charlotte) in 2014, I asked Santa for tickets to the musical. Santa did get me my ticket, and he also got my mom a ticket as well.
The Peace Center in Greenville is a gorgeous theatre. My mom and I were in the orchestra in the 19th row (I think). I was spellbound from start to finish and got choked up by the beauty of the production and the talent of the actors and actresses. I do remember having an understudy for Christine. So glad I got to experience Phantom of the Opera at such a gorgeous theatre.
Little did I know that one of the actors in the ensemble was going to become one of my leads in a future production, and I would go back to the Peace Center 3 years later. The reason why I was at the Peace Center in 2017 was because I saw Les Mis: Nick Cartell was the actor in the ensemble of Phantom of the Opera who became Jean Valjean, a very talented Jean Valjean. Just a fun fact.
Porgy and Bess- Part of why this year did NOT feel like I saw four musicals was because of this musical. I remembered seeing it, but a few years later (maybe two years), I had forgotten what year I had seen it. So 2014 felt like I only two musicals. Porgy and Bess was a musical I enjoyed seeing, but not a musical I exactly liked- do you understand what I mean by that.
Scrooge- This musical I think was another reason why 2014 did NOT feel like four musicals. I do remember seeing Scrooge, but FORGOT the year- this year I was reminded it was 2014. I do remember being moved by one of the songs that Tiny Tim sang, but don’t know what song that was. I was an usher for Scrooge at Children’s Theatre in Charlotte. I am a Christmas Carol fan so of course I loved watching Scrooge- don’t remember much of it- just remembered being moved by one of Tiny Tim’s songs.
Annie- Annie is not JUST a musical. It is not meaningful in the way Les Mis is. There is something about the childhood musicals that makes them extra special in a way- understand what I am talking about. Annie was my favorite musical up until Wicked entered my life. My mom told me Annie was going to be playing at the Fox Theatre in St. Louis. I ended up flying up to St. Louis alone to spend a week with my grandma- so Annie was a theatre date with me and my grandma. Watching Annie made me feel like a child- my grandma and I were in the front row. I only saw the movie of Annie- the 1982 version. I never saw the stage show- it has been in my life since elementary school. The Fox Theatre is another gorgeous theatre to see tours in. Annie means a lot to me- the childhood musicals have a different kind of meaning than the musicals that enter our lives much later in life.
2015– NOW this year feels like FOUR musicals, and I really love the order of the musicals. Half of the musicals are what I would inexperienced, and the other half are what I would call experienced.
Music Man- I transferred to Gardner Webb University Spring 2015. I knew they were doing a production of Music Man coming into Gardner Webb. So I already knew I was going to see Music Man. All I knew about the show was that the main character was a conman creating a boy’s band, and that there was romance, and I had heard about four to five songs. For me, I was curious about how Gardner Webb could handle musicals- after all I transferred from Central Piedmont Community College, a college that can do well-done productions that feel professional, so my question was how well can Gardner Webb pull a musical off. I loved Gardner Webb’s production of Music Man. I love how light-hearted Music Man is, and is the best start to the beginning of 2015’s musicals. Little did I know what 2015 had in store for musicals.
Pippin- I knew Pippin was coming to Charlotte on tour for a 2nd time. I missed Pippin the 1st time. I wanted to see Pippin so badly because of how much I love “Corner of the Sky”. A preview convinced me further- I knew it was a circus-natured revival, and that it won a Tony for best revival. It got closer and closer to Pippin’s opening in Charlotte, and I kinda got the feeling that I WASN’T seeing Pippin. I almost thought Pippin was sold out. Then the week before Pippin opened, my mom decided to get tickets- GUESS WHAT- she managed to get the last two tickets with seats together. That was a close one- I almost didn’t get to see Pippin- Pippin almost didn’t become a part of my life- that is kinda of a strange thought.
Pippin was darker than Music Man. It was due to the Leading Player, the antagonist of the musical. Think of the revival as a circus with songs- that is the best way to describe it. I had understudies for BOTH Pippin and the Leading Player with me being more intrigued by the Leading Player. That’s a first- being much more fascinated by the antagonist- then again Lisa Karlin was the true standout of the cast- everything I know about the Leading Player comes from her. My mom’s last minute tickets got us seats in the 5th row in the orchestra. Pippin was what I would call “the spectacle show of the year”. The revival version of Pippin has one of the best openings ever. Right at intermission- I bought the soundtrack. Pippin would be the last inexperienced musical of 2015. Coming in, I knew I would love Pippin- after all already fell in love with Wicked and Godspell, two other Stephen Schwartz musicals.
Les Mis (West End)- this could take a while. I developed my dream of seeing Les Mis in London in 2013. In that year, I was aware of the Bristol Pilgrimage my family church was going on- the choir was in residence at Bristol Cathedral, and parishioners were allowed to go, but I did not think of the possibility of Les Mis- only because there was no talk of going up early or staying extra days. I was interested in the pilgrimage because of Stonehenge and the castle.
Fast forward to Nov. 2014- my parents said my family is going up two days early- that is when I started convincing my mom and dad to take me to Les Mis. Then Dec. 2014- I was told I would be seeing a West End show- but I wasn’t told which one. I badly wanted to know- it just had to Les Mis- it couldn’t be any other musical. I transferred to Gardner Webb Spring 2015, and all semester was nagging my parents to tell what West End show- after all seeing Les Mis in London was my dream. Then it became June 2015- my mom texted me French Flag emojis and musical note emojis- I texted her back saying “I don’t get it”. I was told to check my email- the moment I saw Les Misérables- I ran to my mom crying. I couldn’t believe- two years after seeing Les Mis on stage for the first time, I was seeing Les Mis in London.
July 30th, 2015- show day. The moment I saw the Queen’s Theatre, I felt like that couldn’t be real. It felt that way when buying souvenirs, when seeing the set and when sitting down and noticing how close I was (we were in the 9th row). I knew I had an understudy for Jean Valjean. The moment I heard the first note of the orchestra- I knew that I was living a dream- that note also told me this is going to be more than expected. I am that girl who does treat the orchestra as a character- it was more than expected- the orchestra, the cast, and staging. It was epic in scope, full of such passion and emotion, and powerful. It felt like winning the lottery. I mean to live a dream is crazy- it is quite special to you- it seems surreal at first, but something does tell you it is real- it was the first note. I could on and on about what day was like. You get the picture.
Sound of Music- Here’s the thing, I was so convinced Les Mis was my LAST musical this year. Turns out I was so wrong. It wasn’t my last musical. It would be Sound of Music, another childhood musical. Both Sound of Music and Les Mis were the experienced musicals. The thing with Sound of Music was I only knew the movie. I never saw the stage show before. I remember it being about October (I think)- I think being in my dorm room- my mom telling me I was seeing Sound of Music. I saw it with my mom and sister.
Sound of Music had a different order of songs- one such surprising moment was at “Edelweiss”. Sound of Music never had sadness in its songs for me- turns out I felt it during “Edelweiss”- it seemed to be a combo of the actor and the nostalgia attached to that song- “Edelweiss” was and still is my favorite song from the song. So I cried during two musicals this year- Les Mis and Sound of Music. Sound of Music NEVER had sad in its songs before- so I was shocked that it entered- but it entered in the middle of “Edelweiss” at a short pause- that moment was so short, but so powerful- it was right before the children started singing.
2018– This was my 5 musical year. I graduated from college this year. I did not think it would end up with 5 musicals.
Oklahoma- This was my 5th theatre date with mom. I was back at Central Piedmont Community College, the college where I started my college journey. I saw Godspell and Les Mis there in the years 2012 and 2013. As expected, Oklahoma was a well-done production. It had minimal set, and the actors moved the set pieces, and things flowed smoothly. It felt nice to see a show again at Oklahoma: two of the actors I seen previously at CPCC were in Oklahoma- they played Laurey and Will Parker, who were in Godspell and fun fact: the girl who Laurey was also in the ensemble of Les Mis.
Grease- This time at CPCC, I saw Grease with my sister and one of our friends. Just like Sound of Music, I had seen the movie, but not the stage show. So I did not know different the movie was. CPCC had gotten special permission to use four songs that were not originally in the stage production. The moment the show began, I knew CPCC did it again with shows feeling professional. I could easily tell just how different the stage show was than the movie: the songs- some songs that are in the stage show are not in the movie.
Newsies- I have been a fan of Newsies since I saw the tour August 2016. So basically 100% convinced not going to see it: Best friend from college shows up at house: drives to CPCC: saying want to see campus: then saying wanting to see theatre while in will call line: all to pick up Newsies tickets. That is basically what she did: her graduation present to me was tickets to Newsies at CPCC. I just wanted to see Newsies at CPCC to see how they could handle the dance knowing how complicated it is. Fun fact: my Curly was Jack Kelly.
Lion King- I only wanted to see Lion King on tour because I DON’T remember seeing the stage show the first time. My mom, my sister, and I went to see it. We had orchestra seats at the aisle. The opening draws you in right away. I had an understudies for Rafiki and Pumba. I ended up getting a Lion King snow globe and buying the soundtrack. I already knew I would love Lion King.
A Christmas Story, the Musical-I saw this with Club Blume, a young adult group interested in theatre. This might sound like a not good idea for a musical considering that its based off of a movie. The composer/lyricst team are the same team who brought you Dear Evan Hansen, La La Land, and Greatest Showman- I know this because of an informance I did in Nov. through Club Blume. The musical was funny and good and so were the songs. It was such a delight. Just like 2015, I was 100% my 2nd to last musicals was my FINAL musical- well it wasn’t. When I saw what musicals were in the 2018-2019, I saw A Christmas Story, I was not interested- then at the informance when I heard it was the same team who did Greatest Showman I wanted to go.
There is a reason why I talked about 2014, 2015, and 2018. I saw over 3 musicals each year. My average tends to be 1-2, but those years were over 3. That doesn’t happen much. You might think 2018 was the best year I ever had for musicals, but it wasn’t. 2015 still is my favorite year for musicals: it had to do with the musicals that came with it: the new musicals- Music Man and Pippin were ones that I love and have the songs for. What really makes 2015 the best musicals was Les Mis in the West End- that was my dream- I lived it that year, and even words alone cannot describe what that night was like for me.
Music Man is one of the most light-hearted musicals out there, and that is why I love it so much. It has one of the most joyful scores that will warm your light. So here are my top favorite Music Man songs.
1. 76 Trombones- this is the overall anthem of Music Man. I don’t know why it is my favorite song from Music Man, but it is. There is just something about this song that is so fun to listen to. It reminds of America in a way.
2. Till There Was You- this is such a beautiful romantic duet found between Marian and Harold Hill. At first, Marian never got along with Harold Hill, but somehow these two eventually fell in love
3. Ya Got Trouble- Once again another fun number.
4. My White Knight- This is another beautiful number. It expresses what Marian wants to find in a man, but she soon is to realize that this type of man doesn’t exist.
5. Goodnight my Someone- a beautiful song
6. Gary Indiana
7. Wells Fargo Wagon-I love this fun number. It ends the first act, and is a wonderful way to end it.
Music Man is just this very fun and light-hearted musical. That is a big reason why I love it.
I am surprised I have not yet done a character from Music Man yet on this series. I decided to do my first. I decided to focus on Harold Hill, the protagonist of the musical.
The most important thing to note is that Harold Hill is a conman. He comes to River City to create a boy’s band, but in reality he is just selling the instruments and outfits. He really wasn’t going to create the band. However, he transforms the town more than he planned. He does end up falling in love with Marian and that does end up making him a better person. He learns his lesson by the end of the musical. He knows how to sneaky get away when he is about to get caught.