Well, I have NOT just seen Les Mis by film and stage show. I also have seen three concerts- the 10th, 25th, and 2019. There is something rather interesting about all three.
Look, when the 10th and 25th came out, they were before I even was a fan of Les Mis. I never got the opportunity to see any concert live in cinemas. I was still only one when the 10th came out and fifteen when the 25th came out. In my years at Fletcher- which was where I attended for middle and high school, I remember that in high school, I wanted nothing to do with tragedies. I had to study them, but really was convinced I would never love one. That was why when I first saw the film, I wasn’t told Les Mis was tragic or else never would have gone: this happened December 2012.
So, I have a really good reason of wanting to see the 25th. Samantha Barks, one of the standouts in the film and my favorite Eponine, convinced me to watch it. I was able to rent the 25th on ITunes. Now I actually own that concert- have seen it at least 20 times. There was a lot of talent in that version: Alfie Boe, Samantha Barks, and Ramin Kairlmoo are the ones that automatically come to mind. As a matter of fact, the first repeat I ever had in Les Mis was Samantha Barks. If it wasn’t for her, my love for Eponine wouldn’t have begun-there is a reason why to this day, she is my favorite. What I did love about the 25th was the “four Valjean-Bring Him Home”, the Original Cast singing “One Day More”, and students from student production singing the reprise of “Do You Hear the People Sing”.
Below shows the three Les Mis films I own- that includes the 10th and 25th concerts.
Well, what about the 10th concert- there were incredible things with this as well. I recently ended up owning it. This was the only other concert where I had to first witness it outside of cinemas. Having seeing some of the Original Cast members play the part they originated was special: such as Colm Wilkinson, Micheal Ball, Alun Armstrong, and Micheal McGuire. It even showed scenes coming from the West End, which brought me back the day I saw Les Mis in London. This cast was extremely talented-in basically both the ensemble and leads. It was amazing seeing the 17 Valjeans’ singing together- you really got to notice some of the languages Les Mis was played in: the countries ranged from Austria to Germany to Italy to Hungary to Japan, Nederlands and of course Australia, Canada, and United States- I actually was surprised that Iceland can sing English.
Well the 2019 concert- that was when I finally got to see a concert in cinemas. In 2019, I already was in love with Les Mis for six years. Well, repeats did happen (some in the same role), and others (moving up). Previously I had already seen Matt Lucas (Thenardier), Alfie Boe (Valjean), Rob Houchen (Marius), Bradley Jaden (Enjolras), and Katy Secombe (Madame Thenardier): those played the exact same part I once saw them as well. There actually was one more repeat: Carrie Hope Fletcher (Eponine to Fantine). In 2019, she was my 2nd actress moving up from role to role (that’s right Mary Kate Moore was my Fantine in November- in 2017, she was only in my ensemble/ 1st cover Fantine). That first Fantine of that year shows don’t underestimate those actors/actresses. Another incredibly talented cast- a lot of them ahead of time I knew would be fantastic in their roles knowing them from before.
Alfie Boe was actually a standout in the 25th. As for the West End, I could not even figure one out (that says something about that cast). While Joshua Grosso is my favorite Marius, Rob Houchen falls at 2nd best: all I remember about Rob in the West End was his reaction after “A Little Fall of Rain”- during the concert, I was able to see how incredible “Empty Chairs at Empty Tables” was. Look, this concert was my third date with my mom to Les Mis: she saw Les Mis with me in the West End and the US Tour. I knew exactly where I would really start to be in tears: no matter who I get as Fantine, I always get reduced down to tears in “I Dreamed a Dream”- that is why it is hard to pick my favorite. Then once that happens, they don’t seem to stop- I love how emotions affect me in Les Mis: it is rare in musicals to feel that kind of intensity and power. Actually- seen my Thenardier from the 25th and Madame Thenardier from the West End: it shows a completely different dynamic (the same thing happened with Allison Guinn (2017/2019: she had two Monsieur Thenardier actors).
As a matter of fact, most of the West End actors/actresses I saw are all from Les Mis. Micheal Ball (Javert) would eventually repeat: saw the 10th after: so saw him as Marius.
If I just look at 2019, who would be my favorite actors/actresses?
- Valjean- Alfie Boe
- Javert- while I don’t know, I do know that Josh Davis (Javert of 2017/2019) improved
- Cosette- Jillian Butler
- Marius- Joshua Grosso
- Eponine- Paige Smallwood
As for the others, really tough call. Of all actors/actresses- I think it can be hard to choose between Fantine, Enjolras, and Thenardiers.
Well, 2019 was fascinating- being able to finally experience a concert in cinemas really made that experience exciting along with seeing some of the actors I saw in London. Just like the US Tour- repeats. I don’t really get to see like any actor/actress being seen more than once: just the US Tours always seem to have different actors each time I experience a show: they always have new shows with current running shows on tour. That would lead to various actors/actresses in all of them- none of the principals have repeated: only happened at CPCC.
Good thing: the 2019 versions of Les Mis happened. Les Mis began Blumenthal’s 2019/2020 season- so with the US Tour: twice and five repeat actors in the same role- well I automatically think of them when I even think of the repeats.