Les Mis Collection (Part 2)

Earlier in Christmas Break, I wrote a Les Mis post about my Les Mis collection. Well, a couple weeks after, I realized I left part of my collection off so I am doing a new post. I will still talk about the things I already explained and will bring up the stuff I never included.

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This picture gives a general idea of my love for Les Mis. I have three tickets from the community college production (2013), the West End production (2015) and the current touring US production (2017), which was seen in Greenville. So have happened to see 3 productions ever two years. The community college production was seen 3 times due to going once with family and twice as an usher, which is why my total number of times I have seen Les Mis is 5 times. In relationship to those productions, I have the three playbills and what surprised me in London is that I had to buy the playbill, which doesn’t happen in the United States. My London playbill was signed by Adam Bayjou, my Valjean, and he was an understudy and he made me forget I was watching an understudy so that says something about how brilliant he was. I have a filer for the community college production and a filer for the London production.

As some know, I went to Les Mis party last year where I dressed up as Eponine, my favorite female character in the musical. Well, my first Les Mis party was in 2015 where I was surprised and my mom hid it by saying that one of her closest friends, who is also a big Les Mis fan just wanted to see the movie with me. So in my 2015 party, I was not able to dress up as a character, but I was called Eponine all night long just because I sang “On My Own” during Karoke. One of the people who attended knew a friend happened to know one of the Valjean’s and so she got in contact with that former Valjean and he signed a souvenir program and I did not see that part of my collection coming.

Obviously as any Les Mis fan, you would have the soundtrack. It took a lot of debating over which one I wanted. My mother eventually bought me one of the soundtracks and it ended up being the original broadway cast. Even with the soundtrack alone, I am reduced to tears. As a big Les Mis fan myself, I own the unabridged book, which I actually finished in less than one summer and that book is my favorite of the classics. The last of that picture is the page to screen book. It talks about how it made its journey to London stage to its creation of the school edition all the way to the musical movie. It has pictures and several facts in relationship to Les Mis.

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My first Les Mis bit of my collection was the movie. The movie was the first full experience of Les Mis. My first viewing, I couldn’t tell if I loved that movie or not. I was a bit shocked and confused as it is a tragic musical, a musical theatre genre I really had no clue existed so I didn’t know how to respond to Les Mis. Despite the confusion, I started researching the musical until I decided to give the movie a 2nd chance and I was able to calm down and get more out of it. I watch the movie each time I come home for break and I am not tired of it yet. I also own the 25th anniversary concert DVD. I watch that version less than the movie because it is longer so it is hard to find time to watch something of 3 hours. So these two are my easiest access to Les Mis if I am in the mood to watch it.

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I got the gray T-shirt at the Queen’s Theatre when I saw it in the West End. The red shirt is quite special. Some of my friends at Gardner Webb made that shirt for me for a birthday present. Literally the shirt says “keep calm and talk about Les Mis”. It appears as if those two friends know me quite well. It is unique in the fact that a) college friends it for me and b) no one else can own it.

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This poster is hung above my bed in Charlotte. This is yet another souvenir I got at the Queen’s Theatre. The only posters that belong on my wall in my room are musicals that hold an important part of my life.

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These two paintings do deserve a part in my collection as well. In my first semester of college, one of the RAs of my floor made these two paintings for me. Those two are hung in my dorm room. Even though the French flag is not in the right order, I still love the painting.

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Last time, I did this post, I cannot believe I forgot about my Les Mis piano book. In 2014, I was going through a rough time in my life and to get through that, my piano teacher taught me the Les Mis songs on the piano. Because I knew the songs so well, I was able to add emotion into the songs. I knew when the songs got louder or got softer. The colored pencils were found as a stocking stuffed. They have words on them like “one gray more”, “do you hear the purple sing”, “blue4601” and other things like those.

I will leave with pictures from when I saw Les Mis and when I dressed up as Eponine along with a painting I made at Pinterest night, which has Eponine on it.

 

‘So based upon my collection and the number of times I have seen the stage production, the movie and the 25th anniversary concert DVD combined shows just how big of a Les Mis fan I am. It also is shown through the number of times I listened to the soundtrack. So I have listened to those songs so many times and not yet tired of them and shows just how amazing of a musical Les Mis. Despite the number of times, I still get emotional listening or seeing it, which has led me to tear up, get goosebumps, and laugh along with something else that I can’t describe and that sort of feeling is something that rarely happen in a musical world.

 

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Hunchback of Notre Dame vs. Les Misérables

Now that I have read both of Victor Hugo’s masterpieces, I decided to compare and contrast them. I was led to read Les Misérables because of my love for the musical.

Tangents:

With Les Misérables, I disliked reading them more than reading them in Hunchback of Notre Dame. In Hunchback of Notre Dame, they were much shorter and more interesting to read because they mostly were about architecture. With Les Misérables, those tangents were much more political and even longer. But with both, I understand that these tangents helped you understand the setting better.

Plot:

As expected, both of the books had a tragic, but beautiful plot. Both of these plots focused on the lowest of society. They represented things such as gypsies, criminals, disabled, and the improvised so they had a similar representation when it comes to the lowest rung. Both of these plots may be tragic, but they are beautiful. They each focused on love. Hunchback of Notre Dame had a much bigger focus on romantic love than Les Misérables. Hunchback of Notre Dame’s entire plot dealt with a love square of sorts since three men loved the same women. But with Les Misérables, it represented so many areas of love such as love for God, love for a child/parents, romantic love in the form of a love triangle, love for the country, and love for friends. So Les Misérables focused on more areas of love. I actually loved Les Misérables’ plot more than Hunchback of Notre Dame’s plot.

Characters:

I strongly disliked the antagonist, Frollo, in Hunchback of Notre because he was so evil and so dark and he responded to his unrequited love in very phantomesque ways. As far as Les Misérables’ antagonist, Javert, I loved him much more. At least Javert wasn’t exactly evil or morally twisted because he kept on trying to the right thing even if he saw the world in black and white. But Les Misérables’ does have two major characters who are quite despicable, who are the Thenardiers. Both of the tales had a character who dealt with unrequited love in a selfless kind of way, who were Quasimodo and Eponine. For me it was very hard to figure out who Hunchback of Notre Dame’s protagonist was, but I want to say it was Quasimodo and what was interesting about him is that he was disabled due to being both deaf and have a hunchback. Being deaf did leave at a disadvantage such as when the mob tried to rescue Esmeralda, he thought they were trying to cause harm to Esmeralda so he attacked them not understanding their actual intentions, but he still acted selflessly for his love for Esmeralda. Les Misérables’ protagonist, Jean Valjean, goes on such an incredible journey from this harsh and hateful man to this compassionate and saint-like man and his journey is wonderful to watch.

Ratings;

Hunchback of Notre Dame: 7/10

I gave this a 7/10 because I struggled with understanding the plot. It felt forever till I picked up on the plot and I already was halfway done with the book when it finally picked off. It spent about fifty page or so on Pierre, who is quite a minor character. Also as excepted, you were given background information about some of the characters for some time so it took a while to understand what was going on. It is hard for me to fully describe why I loved this plot.

Les Misérables: 12/10

Okay, why on earth would a book give me a 12/10 rating. Even though like Hunchback of Notre Dame, it felt forever till the plot kicked off, the story was exceptional. This heartbreaking storyline has this beautiful underlying spirituality. It is this beautiful story of how this ex-convict was given a second chance, which led him to redemption. Jean Valjean after being encountered with the bishop, he began to have this strong spirit and helped those in need. He saved Fantine from being arrested and agreed to raise her daughter, he rescued Marius, and he turned himself in when an innocent man was accused of being him and so on. The story overall made up for those incredibly long tangents. It has many more characters I love than in Hunchback of Notre Dame. I loved how selflessly Fantine was towards her daughter, which is why she had to do what she had to do after being fired and she trusted Valjean enough to raise Cosette. The passion the students have for France, especially in the case of Enjolras, is wonderful and I just love how they take in Gavroche, who is Eponine’s little brother.

Eponine, the Thenardiers’ daughter, is not fully like her parents and showed true love towards Marius and her love for him made her become a better person and even though she led him to the barricades to die with him, she still saved his life and she got to die happy because Marius was there. I love what Cosette represents in the overall story and that is hope. She had hope when she was a child that she would be rescued from her life of abuse and later her love for Marius brings hope to the story. As far as Marius goes, he is so complex and is capable of so much compassion. Les Misérables represents all aspects of society and the story is so human.

What do you think? Have you read both or one of these books? Of the two, which one do you like more and why?

Ranks of My Five Les Mis Casts

This post will rank the actors from the movie, 25th anniversary concert film, the community college production, West End production, and Greenville production. It may not be accurate because I don’t remember some of the actors. About the community college one, I can’t put the actor down since I don’t know the names.

  1. Jean Valjean- Hugh Jackman, community college, Alfie Boe, Nick Cartell, Adam Bayjou (understudy)- hard to pick between Alfie, Nick and Adam.
  2. Javert- Russell Crowe, community college, Norm Lewis, Josh Davis, Jeremy Secomb (only actor where I found an emotional connection to Javert)
  3. Fantine-community college, Lea Salonga, Melissa Mitchell, Anne Hathaway, Rachelle Ann Go
  4. Monsieur and Madame Thenardier-community college, Helena Bonham Carter and Sacha Baron Cohen, Jenny Galloway and Matt Lucas, Allison Guann and J. Anthony Crane, Kathy Secombe and Phil Daniels
  5. Eponine-community college, Talia Simone Robinson (understudy), Carrie Hope Fletcher and Samantha Barks (tough call between the two of them)
  6. Cosette-community college, Zoe Doano, Amanda Seyfried, Katie Hall, Jillian Butler
  7. Marius- Nick Jonas, community college, Rob Houchen and Eddie Redmayne, Joshua Grosso
  8. Enjolras-community college, Aaron Tveit, Matt Shingledecker, Ramin Karimloo, Bradley Jaden- tough call between all five

This list is the way it is is 1) due to not remembering some of the actors and 2) some there was no way I could pick. Enjolras was a very tough call and so was Jean Valjean because I loved all of them. Even two of the Eponine’s were tough calls so they were placed together. This is just the best I could do. All of the casts were incredible in different ways. But the ones that stand out the most were the Greenville cast and the West End cast.

Tragedies of the Les Mis Characters

Yes, yet another Les Mis post. Today I decided to talk why each of the characters in Les Mis have something tragic about them.

Major Spoilers:

Jean Valjean- sent to jail and punished for five years just because he stole a loaf of bread to save his sister’s son and in total served 19 years due to multiple escapes. Has to serve his life as an ex-convict and faced injustice. At the end, he ended up dying, but with Cosette, his adopted daughter and Marius, his now son-in-law by his side.

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Javert- was born inside the jail, his tragic flaw is that he sees the world in black and white and believes “once a criminal always a criminal” and he thinks it is his purposes to recapture Valjean after he broke his parole. Did not know how to show love, mercy, or forgiveness or receive it. He built his principles wrong and strictly follows the law and eventually commits suicide.

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Fantine- her lover abandoned her living her to raise her daughter, but it is dangerous knowing you have an illegitimate child so she left Cosette in the hands of the Thenardiers not knowing how poorly they were going to treat her. Fired from Valjean’s factory unfairly by the foreman, turned to prostitution to care for her child and later died, but she got to die knowing her child will be care for since Valjean promised he would raise Cosette

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Monsieur and Madame Thenardier- their inn went bankrupt and fell into extreme poverty

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Eponine- was raised to be a thief and criminal, unloved, abused, and neglected by her parents, living in extreme poverty and dealing with unrequited love from Marius, the only good thing in her life. Ended up dying after being shot, but got to die in the arms of the man she loves.

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Cosette- had a horrible childhood because the Thenardiers abused her and treated her like a servant. At the end of the show, she lost her father and even though she lives, she still had tragic things happen in her life. She only has Marius left in her life.

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Marius- faced loads of trauma at the barricade. He was the only survivor of the barricades. He first lost Eponine and later would loss the rest of his friends. At the end of the show, all he has is Cosette.

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Enjolras, Gavroche and Students-all lost their lives fighting for what they believed in. Gavroche is kicked out of his family at a very young age (he is Eponine’s little brother), but loved by the students

By seeing that each of these characters have faced tragedy in their life shows just how human Les Mis is. Many of them died and some of them have a very dark life or lost everything important to them. So these characters are very real because of what they had to face in their life.

Review of Les Mis

Just yesterday, I saw Les Mis in Greenville with Gardner Webb. It was my 5th time seeing it live and my 2nd time with a professional cast. With this production of Les Mis, I saw the 25th anniversary production. I had an understudy in this performance for Eponine, which was coincidental since last time I saw Les Mis, I had an understudy for Jean Valjean. I sat in the balcony towards the middle, which were impressive seats even though at first I didn’t know how much I would see since we were so high up, but still being up that high allowed me to see the entire stage.

Possible Spoilers on both plot and staging.

Leading the cast was Nick Cartell as Jean Valjean. He was such an impressive Jean Valjean. His version of “Bring Him Home” was so beautiful and sounded like a prayer and was quiet enough for what the scene required. He was warm and gentle around Cosette. It is amazing how his voice still had enough power when he was quiet during “Bring Him Home”. Then once again, he was quiet enough during his death scene. That is saying something because I was sitting in the balcony and I could still hear him even in quieter moments. During the scene where he let Javert go, he was able to act it to show that he forgave Javert.

Josh Davis was Javert and I felt like he had the right voice for Javert, but something felt off. He did a wonderful job during “Stars”. I had a hard time having an emotional connection to Javert. It is very hard to find common ground with Javert. I just do not know what it was, but something was off so he was weaker compared to Jean Valjean so part of their dynamic was off. Even though something felt way off in Javert, this production showed that Javert does have heart, which was shown when he saw the body of Gavroche when he went back to the barricades.

Melissa Mitchell was Fantine. She played Fantine as a naive young woman as opposed to a very desperate one. She played her naivety in a way that showed she was quite naive when she first became a prostitute because she did not quite understand that job at all at first even though she was fighting for the life of her daughter. She was so quiet in her death scene, but was still able to project to the balcony. It is heartbreaking that she is still thinking about her daughter during her death, but acted like she was thankful that Jean Valjean will be raising her daughter.

Sophie Knapp was such a wonderful Young Cosette. She has such a beautiful voice, which was clearly shown during “Castle on a Cloud”. She was small enough to look like she was eight at the time. She acted a bit nervous and scared around Madame Thenardier. Her “Castle on a Cloud” shows that she has hope that she will be rescued. She was quite a broken child.

Allision Guann as Madame Thenardier and J. Anthony Crane as Thenardier combined were hilarious like they needed to be. Allision Guann was able to be mean enough around Cosette and acted like she actually love her daughter, Eponine at the time. The Thenardiers’ version of “Master of the House” was quite hilarious and during the Bargain, the funny thing was the audience knew they were lying, which made it funny. Even during “Beggars at the Feast”, they were hilarious.

On to the youthful love triangle between Eponine, Marius and Cosette. This was such an innocent and youthful love triangle. Talia Simone Robinson as Eponine was an understudy and she was able to embody Eponine. During all of the Paris bits, she was very playful and flirty around Marius, but she still was able to express her heartbreak that he will never love her. “On My Own” was heartbreaking and at the end, I could hear tears coming from her, but she decides to continue to love Marius despite the unrequited love. “On My Own” demonstrates Eponine’s miserable and empty life and shows her strength and heartbreak over the unrequited love.

Jillian Butler as Cosette had such a beautiful soprano voice during both “In My Life” and “A Heart Full of Love”. Joshua Grosso as Marius was quite awkward during act I especially during “A Heart Full of Love”. It made the couple so cute and wonderful during that scene. When Marius first bumps into Cosette in Paris with Eponine standing in the back wasn’t fully effective, but feeling for all three was the most effective during “Heart Full of Love”. So I loved seeing the awkwardness during “A Heart Full of Love” and it was shown in a way that is like I am in love, but I don’t know what to do with it. This two were such a cute couple and I learned to love the two characters more.

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About Marius and Eponine, their version of “A Little Fall of Rain” was so believable. I really believed that Eponine was shot due to some of her non-verbals and noticing that it took effort to move since she was getting weaker as the song continued and she was also quiet enough. Joshua Grosso wasn’t heartbroken during the entire performance because he was comforting towards her and brave towards her. But when he ends the song with “grow”, that voice was so heartbreaking. It took him some time till he could say the word since he was quite stunned that Eponine died.

Joshua’s version of “Empty Chairs at Empty Tables” was heartbreaking. Even during “Drink with Me”, when he sings about Cosette, it makes sense because he just lost Eponine and knows that most likely all of his friends will die and knows that if he survives, that he will only have Cosette.

Wow, Matt Shingledecker as Enjolras was such a passionate Enjolras. He brought out the intensity and passion that the character needed. All of the students were able to express their hope towards the rebellion. They also were able to show their passion towards the cause. Julian Emile Lerner was such a wonderful Gavroche. Even though he was just a boy, he keeps an eye on Paris and acts as if he runs the city. Despite being young, he had passion towards the cause as well.

About the ensemble, they were just so impressive. Their version of “One Day More” was so powerful and epic. Even in epic scenes like the opening or the second “Look Down”, there was the epicness that the songs required.

Wow, about the staging, I saw different staging than the West End. Even though the revolve wasn’t there, I still loved this staging. There was more color in this set. The different set pieces moved so smoothly between scenes. Like during “Paris/Look Down”, as the song continued, different areas opened up to show the scope of Paris. The paintings in the back actually moved some throughout the show. Those paintings gave a piece of Hugo in the show. The staging during the sewers showed how massive the sewers are and Valjean carried Marius in different ways. The staging during “Empty Chairs at Empty Tables” adds even more emotion than the actor alone could do. During “Turning”, the women put candles down and then Marius comes out to sing the song and the students come out and pick up the candles and eventually blowing them out, which was a heartbreaking thing to watch.

About the sound system, the orchestra was so incredible. I could tell from the prologue that I would love the orchestra and they kept it together throughout the entire show. The sound system was incredible especially at the barricade. You could hear gunshots hit the back of the theatre so it felt like you were at the barricade.

So I would rate this production a 5/5 even though there were some actors that could have needed improvement such as Javert. But all in all, I loved this cast a lot, love the staging so much. Still such a beautiful story. To be honest, a more advanced staging gave more complexity to Les Mis. It was so good that I was an emotional wreck and that I ended up speechless.

Tomorrow, I plan to compare all three productions I have seen.

Letter to Les Mis Characters

Dear Jean Valjean, Javert, Fantine, Eponine, Marius, Cosette, Monsiuer and Madame Thenardier, Enjolras, and rest of the students,

All of you are an important part of my life. You all create such a heartfelt and inspirational story. You all showed me just how amazing a tragic tale could be and that tragedies are way more than being sad. Now I will talk about you all individually.

Major Spoilers:

Jean Valjean, you are one of my favorite literary and musical protagonists. I love the spiritual transformation you take throughout the tale. You taught me that people can raise above their upbringing. You showed me just how one person can impact someone’s life and that is something you learned from the bishop. I love that you promised to raise Fantine’s daughter as your own. I am glad you rescued Cosette and gave her a better life. I love the compassion you show to others. Love that you rescued Marius due to the love you love for Cosette. Boy there is so much I could say about your character. Your redemption is so strong and glad you got to die with Cosette and Marius by your side.

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Javert, you belong in Les Mis despite the fact that I am not a big fan of your character mainly because I love Jean Valjean. I cannot believe you always believed that people would never change. You showed me that there are people that do see the world in black and white. Still, you are very hard to find ground with just because of how complex you are as a character. All you wanted to do was recapture Valjean and send him back to prison. I wish you had realized that Valjean did become a better person. But you still fit in Les Mis. In a way I like you because you are one of the most complex literary antagonists and you do belong in Les Mis.

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Fantine, oh my, your story is so hard to watch because it is so heartbreaking. I cannot believe that the biological father of your daughter abandoned you and left you to be a single mom. I wish you did not leave Cosette in the hands of the Thenardiers because they treated her horribly. Boy, at the factory, I wish those factory women never read that letter. Still you had to turn to prostitution in order to provide for Cosette. I love the love you have for Cosette. I wish you had you realized that the Thenardiers were scamming you out of money. I am so glad that Valjean came to the rescue and promised to raise your daughter as his own. He showed you compassion as you were dying and at least you were able to die in peace and comfort after Valjean made that promise.

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Monsieur and Madame Thenardier, I completely hate you, but at the same time I love the two of you. You provided the much needed comic relief, but at the same time hated you for how you treated Cosette when she was living there. You horribly abused her and made her a servant of your inn. You even were scamming Fantine out of money spreading false lies about Cosette. Well, Valjean came for Cosette and rescued her, but then you started horribly abusing Eponine and kicked Gavroche out of your house. Boy you are so neglectful and unloving towards your children. You raised Eponine to be a criminal and a thief. In a weird way, you made me realize just how fortunate I am to be living in a loving family.

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Eponine, you are one of my favorite characters in the musical. As a child, you appeared to be loved by your parents, but things were eventually going to get darker and even worse. Your parents horribly abused you and raised you to be a thief and a criminal so you lived a very horrible and dark life. Boy, at least you found light through Marius, the only good thing in your life and the only person who showed you kindness and that is what moved you to love him. At least you had him in your life even though he didn’t love you. Still, I love the way you respond to your unrequited love. You continued to stand by Marius’ side and would do anything for him so you risked your life several times. I love that you died in his arms and even though you were shot, you were at peace because you were in the arms of the man you loved. Still, you did not have many good things in your life and you were able to raise above your upbringing. Boy, there is so much I could say about you and why I love you.

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Cosette, I am so glad Jean Valjean rescued you from the Thenardiers and you were so strong as a child and always hoped you would be rescued. You ended up being in better hands with Jean Valjean. He was such an incredible father even though you and him were always on the run from Javert. Still, I love that you represent hope and light in Les Mis. You and Marius make a wonderful couple. That helps bring even more hope and light to the tale. I cannot believe that your adopted father died at the end, but at least you still had Marius. You may not be as developed as some of the other characters, but I love what you represent.

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Marius, I love the relationship you have with the students, Eponine, and Cosette. You were a revolutionary part of the students. In the case of Eponine, I love that you were in her life because she needed it because you gave light in her life. So glad that you showed your kindness and were a good friend towards her. Yes, she eventually dies and that leaves you heartbroken, but I am glad you stayed brave and stayed by her side as she lay dying from a gunshot wound. On top of that trauma, the rest of your friends died, but at least you were rescued by Jean Valjean, Cosette’s adopted father. You are such a sweet, kind, and compassionate person. You and Cosette are a beautiful couple and she helped you recover from the trauma you faced at the barricade.

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Enjolras, Gavroche, and the students, I love that you stand up for what you believe in. Enjolras, you are so passionate towards the uprising and you make such a wonderful leader. I love how all you take in Gavroche and you were like his family. Every single one of you stayed passionate towards the end even when you knew the uprising will most likely fail. I just love the brotherly love you have for each other. Still, I could on and on about why I love you all.

What are your thoughts on the Les Mis characters?

Opinions I Once Had About Musicals

This is a list of beliefs I had about musicals at one point my journey. I will talk about why I had those options and will talk about why I no longer have those opinions. But now, each of those points have been disproven by Les Mis.

Possible Spoilers:

My first opinion was all musicals are happy. I only said that because that was all I had seen and due to that I believed every musical was happy. Les Mis disproved that and even Rent did the same thing. But it really was Les Mis that disproved it. I saw the movie musical back in 2012 and that was my first full exposure to the musical. While watching I discovered Les Mis was a heartbreaking musical and did not know how to respond. Over time Les Mis became such an important part of my musical journey and my life. I realized NOT all musicals are happy like I once believed.

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A second opinion I had about theatre in general is that I will always hate tragedies and will never learn to love one. Both Les Mis and Rent disproved that opinion as well. I love both of them. Both of them are sad and I can be particular when it comes to tragic musicals. I love them because they have amazing songs, characters, and storylines. Both go beyond their tragic nature. Les Mis has this underlying spirituality due to its forgiveness, compassion, love, hope, sacrifice, humanity and sacrifice and Rent has the message of living in the moment and measuring your life in love.

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A third opinion I had about theatre is that a death scene can never be memorable. Prior to Les Mis, I have seen death scenes in musicals, but I have forgotten about some of them and overlooked some of them. All of the death scenes in Les Mis but Javert’s are memorable. Those memorable deaths happen to characters who do not die alone and they all have some kind of joy in their death scenes. Fantine dies with Valjean by her side who promises to her that he will raise Cosette as his own. Eponine, despite being shot, dies in the arms of Marius, the man she loves even though that love is unrequited. Gavroche and the students died standing up for what they believed in. Valjean died with Cosette, his adopted daughter, and Marius by his side.

So far, the only memorable death scenes in musicals happened to be from Les Mis. The fact that Javert was the only character to die alone shows just how memorable the other deaths are. All of my favorite characters are dead by the end of the musical. But they still have a wonderful fate.

A fourth opinion that formed is that every musical must have some dance or spectacle element and those two are still part of my musical vision. Once again, Les Mis disproved that point again. Through Les Mis, I realized just how incredible a musical can be without a dance or spectacle element.

A fifth opinion I had is that negative emotions can never go beyond sad. I started to understand the negative emotions in middle school. By high school, I knew sad was common and was important. But I believed the negative emotions could never be more. Les Mis once again disproved that point. I realized there is more to sad when it comes to the negative emotions. I had no idea I was 100% blind to heartbreak. It isn’t just heartbreak that entered: it is just how deep the heartbreak actually is in Les Mis.

This might be connected, but even other emotions changed as a result of realizing heartbreak is musical emotion. It affected joy and love as well. Look at heartbreaking love songs and look at heartbreaking song with joy in it. Look at just how insightful and truthful and powerful they can be. Prior to Les Mis, I don’t remember if a musical song made me cry, but in Les Mis, I cry each time I listen to the song or even watch the musical in any way.

So Les Mis really showed me a side of musicals I had never seen before. I had all of these opinions only because of what I had known about musicals. It had to do with what I remembered. It had to do with how I interpreted them. Since happy musicals used to take up every single musical, I ended up calling most musicals happy and calling all musicals joyful. It makes sense why I thought a death scene could never be memorable. So in many ways, this post shows a huge reason why Les Mis played such a huge part in my musical journey.

What are some opinions you once had about musicals and did anything disprove them?