A New Revolution- 6th

On November 3rd, I saw Les Mis at Ovens Auditorium during the US Tour. As so many know, I am a massive fan of the musical. This cast will consist of some of the actors I saw back when the tour first was launched- only five of the nine actors from last time were part of this particular cast.

Cast:

Jean Valjean: Andrew Maughan (Understudy)

Javert: Josh Davis

Fantine: Mary Kate Moore

Cosette: Jillian Butler

Marius: Joshua Grosso

Eponine: Paige Smallwood

Enjolras: Matt Shingledecker

Monsieur Thenardier: Jimmy Smagula

Madame Thenardier: Allison Guinn

Young Cosette: Mackenzie Mercer

Gavroche: Robbie Crandall

Seats:

The best seats, at Ovens, in my opinion are in the Mezzanine. I got to sit in the Mezzanine. I loved those seats- I got to see everything and hear everything. They were also were part of the center.

Staging:

As this is the new production, I still love it. I love how it adds a little bit more color by using the paintings as the backdrop- those also add a bit more Victor Hugo into the set. I loved how “Empty Chairs at Empty Tables” was staged- that was one of my favorite parts of the new production. The new staging really shows the vastness of Paris. My only disappointment though was that when time changed- there was no year on the backdrop- that does help explain things.

Portrayals:

Jean Valjean- I was hoping to get Nick Cartell (a standout from 2017), but ended up with an understudy. Because he was an understudy, I knew I had to respect and appreciate his Valjean. In most cases, that wouldn’t be the case. Usually, when I see Les Mis, my tears start at “I Dreamed a Dream”- but when I saw it, guess what happened- I started crying during “What have I Done”. I started to become an emotional wreck sooner than I expected. So, Valjean’s transformation started to show- I was wondering how would be tackle “Bring Him Home”, the song many Valjean’s look forward to singing the most. I loved his version of “Bring Him Home”. So, Andrew defiantly was able to bring out Valjean’s transformation.

Javert- so, Josh Davis was an actor that stayed with the tour in 2017 and was part of my cast yesterday. I was wondering if he would be better yesterday. I always struggle with Javert. It is hard to find common ground or feel sympathy. I think Josh was a little bit stronger this time around. He defiantly mastered Javert’s voice like last time, and the reason why I said he improved was because I think he had a much stronger “Stars”.

Fantine- I wanted Mary Kate Moore as Fantine. Back in 2017, she was part of my ensemble, and then in 2018, she become Fantine after being the understudy. It is hard to watch any Fantine on stage. Just like I expected- “I Dreamed a Dream” reduced me to tears. Her Fantine was amazing.

Cosette- Jillian Butler was part of my 2017 cast. She has this beautiful soprano voice. She somehow can connect to a charming and awkward Marius. It actually makes those two a more adorable and better couple. I strongly love Jillian and Joshua together as Marius and Cosette.

Marius- I am glad that I saw Joshua Grosso again. In 2017, he was one of my standouts. So seeing him again was such a delight. He was still a charming and awkward Marius- one example was during “A Heart Full of Love”- he literally treated falling in love with Cosette like he had no idea what to do. Once again, during “A Little Fall of Rain”, he focused more on comforting Eponine less than the heartbreak he was feeling. People might think he should show the heartbreak more, but do not forget in that scene, Marius is also supposed to show comfort and compassion to Eponine as well. At the end, the reaction was a bit different- that was because he was interacting with a different Eponine. I did not even know if he was going to end the song- that did tell me was heartbroken over her death. So, I saw all of the same things I loved about Joshua’s Marius in the first place.

Paige Smallwood- While Jillian and Joshua were still Marius and Cosette, I had a different Eponine. I had no idea how just one actress could impact the love triangle. She could affect it in a minor or major way only because I already saw the other two back in 2017. “On My Own”- that song actually made me cry this time around. “A Little Fall of Rain”- so believable and I could easily tell she was getting weaker and dying and that she was dying after getting shot.

Matt Shingledecker- He was a standout from 2017. It was nice getting to see him this time around. So I had two of my three standouts from last time. He still felt like a passionate leader. It can be hard to describe why I love Matt so much.

Allison Guinn/ Jimmy Smagula- I had seen Allison Guinn both in 2017 and this time around. I had no idea what she would be like with Jimmy. I knew I loved her as Madame Thenardier so it was interesting seeing her with a new Thenardier. Like many Thenardiers, they were hilarious. So Allison does work well with Jimmy.

Young Cosette/Gavroche- The children of Les Mis were Mackenzie Mercer and Robbie Crandall. Playing Young Cosette and Gavroche, they had a challenge to do. To be on stage and to be a child in a show like Les Mis is not easy. They still were incredible in their roles.

What do I love about Enjolras and the Students

MAJOR SPOILERS:

One of the major themes in Les Mis is hope. Enjolras and the students are one of the strongest places you can find hope. Enjolras is the leader of The Friends of the ABC. These students have such a brotherly love for each other and a strong bond. They are quite passionate about the cause they believe in. I love how they take in Gavroche, Eponine’s younger brother. Of everyone found in the students, it is Enjolras who is the most passionate about the uprising.

Enjolras and the Students- Red and Black
Enjolras and the Students

These students stay passionate about the uprising till the end. Even when Enjolras gives them an opportunity to leave, the students don’t. It is amazing how they all have that strong of a bond. You do not truly see much of a vulnerable and intimate side to them until “Drink with Me”- it is during that song when they realize that they realize that they most likely will lose and will die. The result of the uprising: Enjolras, Gavroche, and the students do die in the end: Marius was the only survivor because he was rescued.

Character Death- How do I deal with It?

We have favorite characters. They either live or they die in the musical. I once thought character death would be UNMEMORABLE, and I thought it wouldn’t happen through song. One musical would change it all- Les Mis made me view chapter death differently- in a positive way. How do I deal with character death?

Major Spoilers:

Do the characters we love who die really die at the end? Yes, we just witnessed the death of characters. But are they truly DEAD. In a way, those characters aren’t dead. Characters like Fantine, Eponine, and basically a ton of other Les Mis characters die- but I have kept them alive. How do you keep those character ALIVE? That basically means they are alive in you. If it is a musical that is meaningful to you, their stories and songs are alive in you. So, even after death, we hold on to them- so they are not truly dead. Understand what I mean? That is how we deal with the death- we hold on to their stories by listening to the songs. As long as the show means something, the characters stay alive in us even if they do die in the show.

A Little Fall of Rain from the Les Mis Movie- Eponine's Death
A Little Fall of Rain

There is ONE more way we can deal with character death. Think about Les Mis. Songs like “Come to Me”, “A Little Fall of Rain”, and “Finale” help. We are comforted by the fact that the characters who do die are not alone. Fantine is with Valjean, Eponine is in the arms of Marius, and Valjean is with Marius and Cosette. Enjolras, Gavroche, and the students are with each other. See what I mean- songs help us deal with it. For some of these characters- their only true moment of peace and comfort is at their death- for some, it actually is their happiest moment of their life (you have to understand characters to figure this out).

Why is it so easy for me to describe why I deal with character death the easiest in Les Mis as opposed to the other musicals I have seen it in?

My Overall Opinion of the PBS Masterpiece Les Mis Series

For the past six weeks, I have been watching the PBS Masterpiece Series of Les Mis. Each week on this blog, I did talk about each episode, and what happened. This post will focus on what my overall opinion was.

Major Spoilers:

In my opinion, I felt like this series needed more than six episodes. The last two episodes felt rushed with two subplots. I wished the series could have spent more time on the romance between Marius and Cosette and the Uprising. Those were speed up too quickly just to fit everything in- those are my favorite subplots that happen in Les Mis: the love triangle and the uprising.

What I do love is that the series focused much more on backstory. This series was not based on the musical- it was more book based- even though some things I saw never happened in the book or musical.

We were able to see what happened to Fantine before Felix (Cosette’s biological father) abandoned her- we saw her when she was truly happy. It makes her story much more heartbreaking- not only did we see Felix leaving her, but we also saw Fantine leaving Cosette in the hands of the Thenardiers. Seeing those two elements puts much more pain into her storyline- after all, if you know Les Mis, you do know how poorly the Thenardiers treat Cosette. It was harder for me to watch the “Lovely Ladies” scene in this version- I felt more uncomfortable with it- the scene always made me uncomfortable, but this one was more intense. I actually do love the fact that Azelma is in this series- she is one of the Thenardier children after all.

Thinking of Thenardiers, at the beginning of the series, it starts at the Battle of Waterloo, which helps clear up the fact that Les Mis does not take place during The French Revolution. It does show Thenardier “rescuing” Marius’ father- that scene is important to Marius’ backstory. When it comes to the Thenardiers’, you saw how abusive they really are-when you first saw them, it does appear as if they are “good” people, but after Fantine left them, you eventually saw Azelma and Eponine mistreating Cosette. You saw Cosette being abused at a much deeper level. You saw Gavroche in their house- now you know he is their son. You saw them falling into poverty. This version made me hate the Thenardiers even more- seeing just how poorly they treat Azelma and Eponine- right when Cosette left, we saw a scene with one of their daughters being treated as a servant- so we do realize that if Cosette wasn’t there, both daughters would have treated the same way.

Back to Jean Valjean- in the musical, you have an idea of how prison affected him. What this version is able to do is show you how poorly Toulon really is. You saw that Valjean did believe that love can’t change a man- that was before he was forgiven. You saw multiple scenes of Toulon, and you saw them affecting Valjean at a much deeper level- so you can understand better why he left prison as man with so much anger at society- because of his days in prison. Now one thing never made sense- one plot point never happened- in this series, he fired Fantine- well, in the book, it was a woman foreman who fired Fantine. I did not understand that change.

At the same time- I can now understand why Javert believes “once a criminal always a criminal”- he says Valjean that he was born in jail and that his parents were criminals, and that he learned to hate them- I never really understand that viewpoint- now it makes sense.

Now, I would like to talk about the love triangle. It actually showed a side to Marius that we never get in the musical- a side that shows up only in the book: it is a part of him that makes him complex. This does start when he was a child- you saw his grandfather raising him to believe his father hated him, which he eventually realized wasn’t true. That is what soon led to him having this political conflict- that side is what made him complex-one of the reasons why I love him as a character. Many people say he is annoying and a jerk- but I disagree: yes, even from the book, I never saw him that way. Marius still is a revolutionary- not at first- he is not close to the revolutionaries here- which I did expect- still sticking close to the book.

The love triangle was subtle in the book, and it is in this series, but I did feel like the romance was rushed. I love Marius and Cosette as a couple- but I felt like the series could have spent more time on their relationship. They only had like one scene in the Gardens and two in Rue Plumet- this was before the barricade- wish there was more of them. As far as Eponine goes- I am glad this series focused on what her life was like outside of Marius more than the unrequited love. They do show the unrequited love-yes, but we got several scenes that showed her life outside of him. I knew it was there for all the scenes she had with him (since I saw the musical and read the book), but the first scene she made it clear was right after she led him to Rue Plumet-That was when I realized she was in love with him. The love triangle still feels rushed- even though it still stays subtle like the book- but it is too rushed. Marius and Eponine’s relationship is closer to being acquaintances here- which I was expecting due to knowing this series was following the book. Just like in book, Eponine sacrificed her life for Marius at the barricade, and Marius stayed with her. In both the book and musical, I believe Marius is still this kind, sweet, compassionate, brave, and romantic revolutionary.

Cosette- you have a lot more sympathy for Young Cosette. You actually saw how abused she is. As she gets older, I am glad you saw how overprotected and sheltered she. It does make sense- for starters, Valjean is an ex-convict and is trying not to be recaptured and Cosette means everything to him. What I do love in this series is that it shows Valjean raising Cosette.

Another subplot that I felt is too rushed is the uprising. I love Enjolras and the students. All the uprising events take place in the 5th/6th episode- so much had to happen in those episodes for the story to finish. You already saw a bit of uprising in the 4th episode, but you only got introduced to Enjolras and the students. The 5th episode is more about planning and the beginning of the uprising, but had to end with Valjean leaving for the barricade- I thought that was odd. I wanted more time with them- it was like it was quick action before the uprising even started. The musical makes it always clear who Enjolras is, but at times in the series- I kept on forgetting- you are supposed to always knew which one of the group he is. Literally in the 6th episode after Valjean released Javert, the final battle began- that was too rushed to get there.

Conclusion:

I thought it was a wonderful way to watch Les Mis. I still had moments I was in tears- some of those were moment I was expecting to cry during- “A Little Fall of Rain” for instance. I still think this series needed one or two more episodes. I wished some moments were not rushed- the uprising and romance was too rushed. The 5th and 6th episode were extremely rushed at the start just to fit everything. Some moments happened way too soon- as in should have happened later- reasons why there should have been more than six episodes.

Les Misérables-Episode 6

May 19th marked the end of the PBS Masterpiece Les Mis mini series. Today’s post is about the final episode. We left the 5th episode with Valjean leaving his house to go to the barricade.

Major Spoilers:

I thought this episode would start with Valjean. I was wrong. It actually started with Gavroche going back to the barricade. He ended up reporting to the students that another attack was about to happen. Valjean eventually arrived, and soon enough helped shield the barricade even more. So the first death in this series was Gavroche, but it was sooner than I expected. I thought Gavroche would die right before the final attack- but I was wrong.

Gavroche died right before Valjean would release Javert. That was surprising. Once again, this episode had to speed things up. After Valjean left the cafe after releasing Javert, you already were in the final battle. I thought it would happen latter- then again, a lot had to happen. The sewers took up a lot more time- I believe- then it took in the musical. Thenardier actually let Valjean go once he got to the gate. About the uprising, there was a scene where you saw everyone who died.

You saw Javert let Valjean take Marius to his grandfather and you saw Javert take Valjean back to his house- things that are in the book, but not in the musical. All of this would eventually led to Javert’s suicide.

You soon got back to Marius. He was the only survivor of the uprising. He was seriously injured though. You saw one of those dreams he was having from the book. After he was fully recovered, Valjean confessed the truth to Marius about his past, but not the fact that he was the reason why Marius survived.

Six months after Cosette and Marius got married, Marius would learn the truth about why he lived. Thenardier would confess the truth. They arrive at the convent- I thought they would find Valjean in bed or in a wheelchair since Valjean was dying. They found him gardening. Cosette and Marius were there at the time of his death.

I still feel like this mini series needed at least a seventh episode- some things were speed up too much- like the uprising for instance.

Les Misérables Series-Episode 4

Now I have watched four episodes of the Les Misérables series. I was waiting until there was a time jump into 1832. Finally it happened. The last episode ended at Valjean and Cosette escaping into the convent- so there needed to be a time jump. Two of my favorite storylines of Les Misérables are the romance and the uprising- that happens later in the storyline- in 1832- and that wasn’t part of episode 3.

Major Spoilers:

In the beginning of this series, you see that Cosette has finally grown up. I was wondering when that time jump would happen. Valjean and Cosette are still living at Covent. Cosette convinces her adopted father that it is time for them to move out because she wants to see more of the world. They move into Rue Plumet, and they do go on walks into the Luxembourg Gardens.

Now we are back on a grown up Marius. Marius finds out the truth about his father. He realizes he has been lied to by his grandfather all of these years about his father. Learning this does help make Marius a complex character. His grandfather tells Marius to move out after Marius blows up on him after telling him “why did you lie to me all of these years”. Where Marius moves to is the same place the Thenardiers currently live. At some point in this episode, Marius meets Courfeyrac, who introduces him to The Friends of The ABC- finally we meet them. The Friends of the ABC are some of my favorite characters in the book and musical- it their brotherly love for each other and their passion for the cause that makes me love them so much.

This is the episode where Marius and Cosette first meet. Instead of Marius and Cosette learning each others names at Cosette’s house, they learn each others’ name where they first met, which never happened in the musical or the book. So, this episode begins the love Marius and Cosette have. I still love the two of them together, and my opinion will never change.

I will go back to the Thenardiers again- now they are living as the Jondrettes next door to Marius. Their poverty has gotten worse- they are now living in extreme poverty. You do notice that Gavroche is no longer living with them. Only Azelma and Eponine are living with them-you see Monsieur Thenardier showing his abuse on Eponine. You see Eponine delivering the letters, which are hoaxes. Eponine does recognize that Marius does have a good heart when they first interacted. Marius is able to look through a peek hole, and actually sees how terrible this family is treating their daughters and learns of the robbery that will happen later, and reports this to Javert.

The episode ends at the “Robbery”. The next episode will focus more on the romance between Marius and Cosette and the rebellion.

https://megsdailymusings.wordpress.com/2019/04/30/les-miserables-episode-3/

https://megsdailymusings.wordpress.com/2019/04/24/les-miserables-series-episode-2/

https://megsdailymusings.wordpress.com/2019/04/16/les-miserables-series/

Non-Survivors I love in Musicals

What do I mean by the non-survivors? These are the characters who die in musicals. So this will be SPOILER HEAVY. I used to think a character death would not be memorable, but I learned my lesson.

  1. Enjolras and the students
  2. Gavroche
  3. Eponine
  4. Fantine
  5. Jean Valjean
  6. Don Quixote
  7. Angel
  8. Mufasa
  9. Kim

It was Les Mis that taught me that I can love a character death. I love more characters who survive than characters who don’t survive. A lot of that it because I can’t think of more. Death in musicals are not EASY to watch, but you have to understand WHY they had to happen- all of these deaths had to happen. Yes, character death is sad, and you are heartbroken because you loved the character. The only way they will continue to live is in you.

How do you feel about character death?